“With A Little Bit Of Luck…”

…you, too, could be part of the act!

Like to sing? Dance? Act? Sign up for SBMT Audition Announcements by sending an email to auditions-list+subscribe@southbaymt.com (be sure to acknowledge the confirmation email to join), and you will be notified in advance with details about our upcoming shows, roles, and audition dates.

Little Women AuditionsLittle Women auditions

Walter M. Mayes, Artistic Director of South Bay Musical Theatre announces auditions for LITTLE WOMEN, performing January 24 – February 14, 2026.

  • Music by Jason Howland
  • Lyrics by Mindy Dickstein
  • Book by Allan Knee
  • Based on the novel by Louisa May Alcott
  • Director & Choreographer: Janie Scott
  • Music Director: Amanda Ku

Initial auditions will be held Saturday, September 27 from 1:00 – 5:00 p.m. and Sunday, September 28 from 6:00 – 10:00  p.m.

Please schedule a vocal audition slot here.

AUDITION INFORMATION

Please prepare 32 bars of a song in the style of the show with sheet music in the correct key. No recordings, please. An accompanist will be provided. Please bring your music in a three-ring binder and clearly marked with start, end, and cuts for the ease of the accompanist.

Bring a headshot, resume, conflict calendar through February 14, and clothes and shoes comfortable to move in.

Auditioners must attend a movement call but may choose to do so before or after their vocal audition time if available. You do not need to sign up for a movement call—please come to the one most convenient for you.

Movement call times are:

For Saturday, Sept. 27

  • Move! 2:00 p.m.
  • Move! 3:30 p.m.

For Sunday, Sept. 28

  • Move! 7:00 p.m.
  • Move! 8:30 p.m.

Rehearsals will be held on Sunday thru Thursday evenings and the occasional Saturday morning.

The rehearsal calendar is compact and fast-paced. Therefore, conflict calendars will be an important consideration when making casting decisions. Please give us complete conflict information. If you are already obligated to another show that will cause conflicts with our rehearsal schedule, or if you are auditioning for multiple shows that perform in the same time frame as ours, please let us know. Only minor conflicts will be accepted. 

Auditions will be held at 761 Mabury Rd, Suite 20 in San Jose.

Callbacks, by invitation only: Tuesday, September 30 and Wednesday, October 1 from 7:00 – 10:00 p.m.

SUMMARY

Louisa May Alcott’s beloved tale of the March sisters is given fresh life in a powerful and heartfelt musical. The aspiring writer Jo takes advice to write about her own life, and weaves together stories of her growing up with her mother and sisters. Set during the American Civil War, Jo, Meg, Amy, and Beth March navigate creativity, poverty, jealousy, love and loss; strengthening their family bond with laughter, tears, and soaring spirit.

SBMT Casting Commitment

South Bay Musical Theatre is actively reshaping our company to be reflective of the community it serves. We practice non-traditional and identity-conscious casting in all our productions. We are seeking and highly encouraging all actors to submit, regardless of race/ethnicity/caste, disability, body type, age, orientation, or gender/gender identity.  

In this show, the race of the characters is not pivotal to the plot. We are determined to consider diversity and inclusion in our casting choices. Though we’re contractually unable to change the script or the music, we are open to considering actors of any gender identity for roles of specific gender identities. The actor would need to demonstrate the capability to portray the specified character as written as well as sing the required range. If you wish to be considered for specific roles, please note them on your audition form. 

South Bay Musical Theatre is a community-based theater organization. Please note that out-of-town performers are responsible for arranging their own housing & travel if cast. We do not offer payment, housing, or travel stipends for participation in our shows. All cast members are volunteers with a performance per diem of $250 in total. 

All roles are open

Jo March
The passionate, determined, and fiercely independent second eldest March sister. She dreams of becoming a famous writer and rebels against the societal expectations placed on women. She struggles with change and loss but ultimately discovers her own path. She’s brave, loving, and a whirlwind of determination.

  • Vocal Range: E3 – A5; Vocal Type: Mezzo-Soprano / High Belt
  • Age: Late teens to early-20s

Meg March
The eldest March sister who is responsible, kind, and maternal. She dreams of a simple life filled with love and family, and while she occasionally longs for the finer things, she stays grounded in her values.

  • Vocal Range: A#3 – Gb5; Vocal Type: Soprano / Mezzo
  • Age: Early 20s

Beth March
The third March sister. She is shy, gentle, and musically gifted. She is the moral compass of the family and deeply cherished by her sisters. She is selfless and serene, often retreating into her piano playing. Her illness and death are central emotional events in the musical, affecting everyone, especially Jo.

  • Vocal Range: A3 – G5; Vocal Type: Soprano
  • Age: Late teens

Amy March
The youngest March sister. She is ambitious, artistic, and sometimes vain, but also deeply sensitive and sincere. She matures significantly throughout the show—from a slightly spoiled child to a poised young woman.

  • Vocal Range: B3  – Gb5, Vocal Type: Mezzo Soprano
  • Age: Young teen to late teens/early 20s

Marmee March
The strong and loving matriarch of the March family. She is wise, nurturing, and emotionally resilient. She serves as a moral guide and rock of stability for her daughters, often sacrificing for their happiness.

  • Vocal Range: Eb3 – Eb5; Vocal Type: Mezzo-Soprano
  • Age: 40s

Theodore (Laurie) Laurence (also known as Teddy)
The charming and spirited boy next door. He forms a close bond with the March sisters, especially Jo. He’s playful, emotional, and musically inclined, with a deep desire for connection and belonging. He undergoes emotional growth as he learns to navigate unrequited love and self-worth.

  • Vocal Range: Bb2 – Bb4; Vocal Type: Tenor
  • Age: Late teens to early 20s

Professor Bhaer
A reserved and intelligent German professor living in New York. He becomes Jo’s mentor and eventual love interest. Though stiff at first, he reveals a passionate and romantic nature. His relationship with Jo is based on mutual respect, intellect, and emotional growth. Speaks with a German accent.

  • Vocal Range: G2 – F#4; Vocal Type: Baritone
  • Age: 30s–40s

Aunt March
The March sister’s wealthy, domineering great-aunt. She’s snobbish, proper, and expects her family to uphold her high standards. Despite her strictness, she ultimately wants the best for Jo and the girls. Often provides comic relief through her sharp wit.

  • Vocal Range: E3 – F5; Vocal Type: Soprano/Mezzo
  • Age: 60s+

Mr. Laurence
Laurie’s grandfather, a stern and dignified man who is softened by his bond with Beth. He reveals a deep capacity for kindness and sentimentality beneath his gruff exterior.

  • Vocal Range: C3 – E4
  • Age: 60s+

John Brooke
Laurie’s tutor and Meg’s love interest. He’s earnest, proper, and quietly romantic. He represents the responsible, loyal kind of love. Though not as flashy as Laurie or Bhaer, he’s dependable and sincere.

  • Vocal Range: C#3 – F#4
  • Age: Early 20s

There is no ensemble.

KEY DATES

  • Rehearsals: begin Sunday, November 16, 2025
  • Move-in: Saturday, January 3, 2026
  • Open: Saturday, January 24, 2026
  • Close & Strike: Saturday, February 14, 2026