Imagine this.
It’s a Friday evening. You’re not battling traffic. You’re not searching for a parking garage. You’re not paying steep fees and walking several blocks to the theater.
Instead, you’re driving just a few minutes from home. Parking is free—and just steps from the door. Your seats are waiting for you. The theater is intimate enough that every seat feels close to the action, yet large enough to share the energy of live theater with an appreciative crowd of like-minded friends and neighbors.
As you settle in, you recognize a familiar face onstage—someone you loved in a previous South Bay Musical Theatre production. Over the years, you’ve come to know many of our performers, directors, musicians, and volunteers. They’re not touring celebrities passing through town. They’re talented artists from right here in the Bay Area, creating extraordinary theatre for their community.
This is what being an SBMT subscriber feels like.
For more than six decades, South Bay Musical Theatre has brought Noteworthy Entertainment to local audiences, producing Broadway-caliber musicals close to home at the Saratoga Civic Theater. And for many of our patrons, subscribing isn’t simply a way to save money—it’s the easiest, most enjoyable way to experience live theater all season long.
Why it pays to be a season ticket holder
Subscribers receive first choice of seats before single tickets go on sale. If you love center section seats, aisle access, or Sunday matinees, a subscription gives you the best opportunity to secure exactly what you want. Better yet, you’ll enjoy those same great seats throughout the season and can renew them year after year.
There’s also the peace of mind.
This past season, many performances of The Sound of Music and In The Heights were completely sold out, but subscribers never had to wonder whether tickets would still be available. They already had their seats reserved.
“But what if my plans change?” you ask. “No problem,” we reply.
Subscribers enjoy unlimited free ticket exchanges. If a conflict arises, simply call us at least 24 hours before showtime and we’ll move you to another performance without fees or hassle. Our box office team is available seven days a week to help make it easy.
Of course, there’s also the value. Subscribers save up to 25% compared to purchasing individual tickets throughout the season. You’ll also receive the same discount on additional tickets for friends and family and priority access to seats for our special concert events.
Season 64 summary
And what a season awaits!
Season 64 brings three unforgettable musicals:
- Once Upon a Mattress — the delightfully funny retelling of “The Princess and the Pea” fairy tale that turned Carol Burnett into a star.
- Come From Away — the inspiring true story of a small Canadian town that welcomed the world when it mattered the most.
- South Pacific — one of Broadway’s most beloved classics, which SBMT audiences ranked as their first choice in a recent survey.
Subscribers also receive priority access to three exciting add-on events:
- Holiday Sunshine — an SBMT holiday tradition original concert.
- MusiComedy — Brad Handshy’s one-night-only concert of 100% comedy songs.
- Candide in Concert — Leonard Bernstein’s globe-trotting classic comes to life.
If you’ve been waiting until the last minute to become a subscriber, that time is now. On July 1, single tickets for all Season 64 productions go on sale to the general public. You’ll still be able to subscribe after July 1—but you’ll be choosing from whatever inventory remains after public sales begin.
Right now, subscribers have the advantage: The widest selection of dates. The best choice of seating locations. The opportunity to lock in the seats you want before anyone else.
Season 64 promises to be one of our most exciting seasons yet. Become a subscriber before next Wednesday, July 1 and give yourself the best possible choice of seats for every unforgettable moment.
The best seats. The best prices. The greatest flexibility. That’s the subscriber advantage. Join us, won’t you?
— Doug Hughes, Marketing Director
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